When designing our clothing we are, more often than not, inspired by women at work.
For our Spring and Summer Look Book we put our clothes on Rachel Budde, the queen witch powerhouse behind Fat and the Moon, a range of handcrafted, herbal body care products made in small batches from organic ingredients. The brilliant Oakland based photographer, Terri Loewenthal, captured the moments.
Rachel guided us through San Francisco. In the morning we gathered plants, she taught us their benefits and at the end of the day she used these plants to prepare an infusion.
Rachel wears the Capra Dress in 'Hatu' in our shop.
We went to Buena Vista Park, a mist covered hill nestled in the center of San Francisco. The steep hike to the top (575 ft. above sea level!) rewards with a panoramic cityscape. It’s San Francisco’s oldest park which is evident in the cobble stone steps that connect the winding trails through live oak groves and eucalyptus trees. The park is home to birds, squirrels, some little snakes and the occasional gopher. An ideal place for atmospheric wanderings!
Rachel shared her knowledge of the plants we had found: Mallow can soothe the digestive system or heal skin troubles when applied topically, Eucalyptus can ease respiratory ailments and Nasturtium encourages hair growth.
Rachel wears the Nata Dress in 'Tamboro' as she familiarizes us with our plant findings.
In the evening, Rachel used some of the young Eucalyptus leaves we had found that morning to create an oil infusion.
Rachel wears the silk Short Shorts in ‘Hatu’ and a Taurus top in ‘Drake’ while she prepares a potion for us.
Below is Rachel’s recipe for a passive oil infusion of Eucalyptus:
First, harvest some young Eucalyptus leaves. Lucky for us, they like to grow at the base of the big mama trees well within our reach.
Chop the leaves up with scissors or a sharp knife. Fill a mason jar about ¾ of the way full with leaves.
Choose your oil. We favor olive, sunflower or almond oil. Pour oil over the leaves until you fill the jar. Put the cap on, but don’t close it too tightly - we want the water from the leaves to be able to evaporate.
Store in a warm place for one month. This requires patience!
Once you and it are both ready - strain the leaves and keep the oil! Use it as an invigorating after bath oil or rub it on your chest when you need to breathe easy.
Rachel bathes in the 'Tamboro' Short Shorts.
The day ended as all good days should: with a witchy flower bath. While we recommend taking it all off for your own bath, it might be the most environmentally friendly way to do your laundry!
Robbie Simon’s show Feeling Physical opens on November 21st 2014 at Gravel & Gold and will run through Friday, December 19th.
The show will include paintings of India Ink on craft paper, collage, as well as a variety of garments hand customized and illustrated with fabric marker, bleach and India Ink. Also produced exclusively for the show will be two small books of black and white photography as well as a third Risograph book of drawings, printed by Colpa Press . A Screen printed poster composed from two of the paintings will also be available for sale .
Robbie’s spent the last decade mostly playing in and working for bands, designing promotional fliers, posters and videos, photographing bands and designing the occasional stage show. This is his first art show and as long time admirers of the guy, we are more than stoked to host him during this pivotal moment. Below is a collection of some of the work he’s done for bands and a conversation I had with him about it what it’s like to shift from designer to artist.
Tomra: Most of your graphic design work has been for music promotion (album covers, show posters, music videos). How has this kind of work become such a large part of your output?
Robbie: Music was my first real outlet for design and creating. I was always in bands and everyone I knew was as well, which easily afforded me an opportunity to insert my work and invaluably provided a reason to create, something I certainly needed. Everyone’s gotta have a friendly place to start and explore and make a lot (!) of bad work before they can figure out where they’re headed. Fortunately for me (less so for them) my own bands and those of close friends were my dartboard ! I’ve never strategically kept myself resigned to the music world but it’s still such a big part of my life and it’s where all my best opportunities to work still come from. I love it , though ! I feel comfortable in the music world, a scarcely attended Wednesday night bar show is much more my zone than an art opening where everyone looks like a walking tumblr page. Although, there’s way more free beer at those things…
Tomra: What has inspired you to transition from graphic design into fine art?
Robbie: It’s something I’ve been gravitating towards for a while but also just wanted to see if I could pull it off. At this point the majority of my design work is based entirely on imagery or drawings I create which would in a lose definition simply make it art with advertisements on it. But the creative process gets much more interesting when you take that advertisement and therefore purpose for its existence away. Design is very easy at a base level as it’s built in with purpose for existing. Even if the imagery is terrible or lazy, if the message is conveyed in a design, it’s a success. Art doesn’t have that luxury which is something I’ve taken as a big challenge in this process. Asking myself often, “does this need to exists?” and often feeling the answer is “No” but then eventually leaning towards a “Maybe????” Also for the record, this perspective is neglecting the value of art for arts sake. Nothing in this world needs a purpose if it makes someone happy, but I’m figuring if I’m hanging this stuff on a wall, in someone’s lovely establishment and expecting friendly faces to come look at it, I better not be framing boogers.
Tomra: You’re from Southern California but spent a lot of years in San Francisco. You recently moved back down, to Los Angeles. How have you developed artistically throughout that transition and resettlement?
Robbie: I developed dramatically and hugely for the better, to be blunt . The epic cultural change that’s occurring in SF doesn’t need to be explained to anyone at this point and that was certainly a part in my leaving, but It’d be a lie to say it was all of my motivation. I was in a pretty deep rut personally. The clock was ticking on my 20’s and I had essentially retired for a few years content to wallow in unemployment, pissing away savings on froyo and tall cans. If I ever saw the amount of money I spent at the liquor store below my apartment, I’d barf. But shout out to Slater on 16th and Guerrero ! Hope, he’s doing ok. So the move was a huge refresh on life in general and I was able to shake off my malaise to feel creative and invigorated again. My home in LA is essentially a giant art studio where I can work on ten different messy things at any time of day. The freedom and space I have here is now essential to my progress and my process.
Tomra: What inspires your work other than music?
Robbie: More than anything else these days I’m inspired by people who apply creativity and expression to all aspects of their life. I don’t want a trade, I want outlets ! Just a dedicated lifestyle of making things and trying things and putting you’re own stamp on something . I see these sort of efforts as giving life to the world around them. I have a day job working for an Artist and Designer named Geoff McFetridge, he’s really good at this sort of thing. He bounces between projects and mediums, hi-brow and low-brow, all with an ease, grace and confidence that I aspire to achieve .
But to name a few visual artists I’m eternally inspired by and often “borrowing” from would the likes of Alexander Calder, Matisse, Miro, Keith Haring, Paul Jenkins, Barney Bubbles, Wallace Berman…
Tomra: That makes sense – your medium varies constantly – you’re always exploring. In this show you have collage, paintings, books, and clothing. What other mediums are you interested in pursuing? What’s your dream project?
Robbie: “Exploring” is really exciting word to hear in regards to my own work. I wish I felt that way internally ! Part of it is that I’m way more excited about trying something new vs. refining a singular concept or mastering a craft. It’s a good and bad trait, I think. Good part being I don’t see any real difference between approaching a painting or drawing on a pair of shoes or photographing a band. They all come from the same creative place and vision. I see the mechanics of producing something as entirely separate from the vision it’ll take to make it interesting. The mechanics are learned or you just make them up as you go and never let them stop you from trying something if you feel compelled. I’ve also always been attracted to the raw qualities in art or music that come from someone who has vastly more conviction than they do ability.
Lots and lots of new things I’d like to try next ! Bizarrely, I’ve painted on just about everything accept canvas… I think it might be time to try that. I also have a large collection of trash that I keep stashed away that I’d like to paint on and have a show of just that weird stuff. Like, just white house paint on trash. I think it’d be great! But doing murals would be really fun and I’ve always wanted to make Mobiles. I’m a total Calder fanboy and I even have a lot of sketches for mobile concepts that I’d love to see if I could pull off. I’m booked up doing a lot more non-animated music videos in the near future, so we’ll see how my directing and cinematography skills develop.
Robbie Simon is a graphic designer by trade as well as a painter, crafter, and animator by hobby/side gig/distraction. A resident of Los Angeles working full time for Geoff McFetridge at Champion Graphics.
@brojazz on the gram