Cassie McGettigan
San Francisco, California
We plastered over our little box, installed one bookcase, one clothing rack, one desk with a jewelry case, and that was it. Vintage clothes, mostly from our closets, made up most of the inventory, stuff made by friends, and pillows made from fabric we’d collected over the years. We were open 3-4 days a week and we were always able to make rent, mostly thanks to stripey shirts, which we’ve always sold. If we were short, we’d have a party, and that would bring in enough dough to make it another month.
That fall, I quit my other job, moved up to Bolinas, and commuted in for my days keeping the shop open. The following summer, we signed for our current, much bigger spot on 21st Street. This one needed a lot more than just plaster. I moved back to the city and we re-opened in August 2009 with practically no inventory. Tripp Carpenter’s big, beautiful table ran down the center of the space and held it all together, even if there was very little on top of it to sell.
Since then, the shop has grown to become a real shop. We’re open seven days a week. Our shelves and racks are full of clothing, books, ceramics, jewelry, and more, coming in from all over the place. I work on it full-time, but there seems to be always less and less time available to find vintage dresses. Thankfully, working with artists, craftspeople, and small companies offers rewards more lasting than a vintage score. Holly has her workspace in the back and we’re able to hire friends to work in the shop and even to run the books and accounting, which has freed me up to work more on developing our own line of clothing and objects.
Gravel & Gold Goods had its first release in the summer of 2011. I designed two textile prints, Panda Face and Boobs, which were printed by hand here in San Francisco and made in-shop into clothing. We offered three styles of shirt, two dresses, and three bags. Like every experience we’ve had together so far, we made it up as we went along, tried our best, and were proud enough of what we had done to keep going.
The dream is to keep making things we're stoked to make, in an environment that we like. The dream is still to have a studio upstairs and a shop downstairs and to work with friends. Right now, the studio is up the street, the shop is a block away, and there are lots and lots and lots of friends involved, keeping it going.
